You want texture, not pattern
Grasscloth adds depth and warmth through weave and natural color rather than printed motifs, suiting quieter rooms and traditional or modern furniture alike.
Grasscloth is a natural woven fiber, so every roll varies in tone and seams show more than on printed paper. A careless install leaves stripes of mismatched color and paste stains you can't wash off.

$98 to $193Typical per single roll hung in Quincy. The walk-through sets your number.
Brands we work with: Benjamin Moore, Sherwin-Williams, California Paints, Farrow & Ball, PPG, Fine Paints of Europe, Cabot, Zinsser, York Wallcoverings, Thibaut, Schumacher, Phillip Jeffries, Graham & Brown, Roman.
Grasscloth installation in Quincy means smoothing and priming the wall in a tone close to the cloth, sorting rolls for shading, cutting and pasting strips with a clear adhesive, and hanging them in sequence, often reversed, while keeping paste off the fiber face. Typical ranges run $98 to $193 per single roll for labor. The walk-through sets the real number.
Grasscloth, sisal, jute, raffia and paperweaves are woven from plant fibers and laminated to a paper backing. They bring a warm, textured look that suits libraries, dining rooms, offices and bedrooms. They also behave differently from printed wallpaper. Each roll is hand made, color shifts from one end of a roll to the other and from one roll to the next, and the fibers stain permanently if paste or water reaches the face.
Our paperhangers treat grasscloth as its own trade within paperhanging. We hang it in Quincy living rooms and Marina Bay condos, and in the studies and dining rooms of Wellesley, Weston and Dover houses. We open and inspect every roll before cutting, plan the wall order so color moves gradually around the room, and explain at the start that visible seams are part of natural grasscloth, not a defect.

Before anything is cut, we unroll the first few feet of each roll side by side under good light and compare tone. Rolls are grouped and numbered so the most similar ones share a wall. Within a roll, shade often shifts slightly from top to bottom, so we keep strips in cutting order and hang them in that same sequence.
Many manufacturers recommend reverse hanging, flipping every other strip top to bottom. This places the edge of one strip beside the matching edge of the next, so the side-to-side shading difference at each seam is smaller. We follow the maker's instruction for each product. Some designs with a pattern or printed overlay must hang in one direction only, and we check the label before starting.
Grasscloth is translucent at the seams and between fibers, so the wall color behind it shows through. We prime with a wallcovering primer tinted to the darker tones of the cloth. A white wall under a tan or navy grasscloth would make every seam look like a thin pale line. The wall itself also has to be flat, because the thin backing reveals ridges and patches.
We use a clear premixed adhesive with good open time. Clay-based pastes are stronger but can bleed through and stain natural fibers. Paste is rolled evenly on the paper backing, the strip is booked lightly for the time the maker specifies, then hung. We never let water or paste touch the face, and we don't wipe the surface with a wet sponge, since water marks on grasscloth are permanent.
Natural fibers fray when cut with a dull blade, so we change blades constantly and use a wide straightedge to hold fibers flat at each cut. Edges are butted gently, not overlapped, and pressed with a clean, dry tool or our hands rather than a hard seam roller that can crush the weave.
Around outlets, window casings and baseboards, we make relief cuts slowly and trim with the fibers held down. Loose strands are snipped rather than pulled, since pulling unravels a row. Any paste that reaches the face is lifted at once with a barely damp, clean cloth and blotted dry. Offcuts from each roll are kept for small patches later, labeled with the roll number.
Grasscloth suits rooms with steady humidity and little splash: dining rooms, studies, living rooms, bedrooms, stair halls and home offices. It's a natural fit for the paneled libraries of Wellesley and Weston Colonials and Tudors, and for open-plan Marina Bay condos where it softens drywall and big glass. We steer clients away from full bathrooms, kitchens near the range and shared two-family hallways that see heavy traffic, since the fibers can't be scrubbed. For those rooms, vinyl grasscloth looks are a practical alternative.
We unroll and examine each roll for flaws, check lot numbers and compare shading under daylight before a single strip is cut.
Plaster or drywall is repaired, skim coated where needed, sanded flat and primed with a wallcovering primer tinted toward the cloth's darker tones.
Rolls are assigned to walls by tone, strips are numbered in cutting order, and we decide on reverse hanging per the manufacturer's instructions.
Clear adhesive is rolled evenly on the backing, strips are booked for the specified time, and the face is kept clean and dry throughout.
Strips go up against a plumb line, edges are butted gently, and cuts at trim and outlets are made with fresh blades to stop fraying.
We walk the room with you, check seams and edges, label leftover pieces by roll for future patches, and clean up all offcuts.
The range covers labor to prime and hang natural grasscloth on walls in fair condition, with roll sorting and careful trimming. Large rooms with many openings, tall walls and heavy wall prep sit at the upper end. The cloth itself is separate, and the walk-through sets the real number.
Compare every service side by side in our painting and wallpaper cost guide, or call (617) 576-8235 to set a walk-through.
Grasscloth adds depth and warmth through weave and natural color rather than printed motifs, suiting quieter rooms and traditional or modern furniture alike.
After skim coating, the texture of grasscloth hides small imperfections in old plaster better than flat paint or a smooth printed paper would.
Dining rooms, studies and bedrooms are ideal. The fibers stain with water and can't be scrubbed, so steamy or high-traffic spaces are a poor match.
Natural fiber wallcoverings slightly soften sound in rooms with hard floors and tall ceilings, such as condo living areas and Victorian parlors.
Sun-faded or water-stained grasscloth can't be cleaned back to its original tone. Removal and a fresh installation restore an even, warm look.
In Quincy, grasscloth shows up in two very different settings. One is the older house: a Colonial Revival on Wollaston Hill or a Foursquare near Merrymount, where the walls are horsehair plaster and skim coating to a flat surface is often the biggest part of the prep. Picture rails and tall baseboards give natural stopping points. The other is the condo, at Marina Bay or in the newer buildings near Quincy Center, with flat drywall, long uninterrupted walls and large windows facing the water.
Those big windows matter. Natural fibers fade with sun, and a wall facing south over the bay can lighten unevenly within a few years, so we'll point out which walls take the strongest light before you choose a color. Humid coastal summers matter too. Fibers expand slightly in damp air, so we let rolls acclimate in the room for a day and keep a steady temperature while the paste cures. In pre-1978 houses, prep sanding is done with containment and HEPA cleanup.
Planning paper for a room? Our wallpaper roll calculator counts double rolls from your room size, pattern repeat and match.
Quincy neighborhoods and nearby towns we cover most often, with ZIP codes:
Because grasscloth is woven by hand from natural fibers, each strip differs slightly in color and texture from its neighbor, and that difference shows at the seams. It's expected with this material. We reduce it by sorting rolls by tone, hanging in cutting order and reverse hanging where the maker recommends, but no installer can make natural seams fully disappear.
It can. Natural dyes and fibers lighten with strong sun, and a wall facing south over the bay gets a lot of it. Paler, undyed cloths show fading less than deep blues or greens. Window film or shades help. We'll mark the brightest walls at the walk-through so you can pick a color or a wall that will age evenly.
A powder room with no shower and a working fan can work if you accept some risk near the sink, since splashes stain the fibers permanently. A full bathroom is a poor fit, because steam loosens the backing. For bathrooms, a vinyl wallcovering with a grasscloth texture gives a similar look and can be wiped clean.
Gently and dry. Use a soft brush attachment on a vacuum or a dry microfiber cloth to remove dust and fine sand that blows in near the beach. Never scrub or use a wet sponge, because water leaves permanent marks. For a fresh spot, blot lightly with a barely damp white cloth and dry it at once. Keep labeled leftovers for replacing a strip later.
Grasscloth is slightly see-through at the seams and between fibers, so a stark white plaster wall can show as pale lines under a darker cloth. We prime with a wallcovering primer tinted toward the darker tones of your grasscloth. It also gives the clear adhesive a consistent surface to grip and makes later removal from the old plaster easier.
You've chosen a paper you love, but the walls are wavy horsehair plaster, the corners lean, and a mismatched seam at eye level would spoil the whole.
How we do itOld plaster walls that are cracked, patched, wavy or scarred from wallpaper removal will show every flaw through fresh paint or new paper, and spot.
How we do itOld wallpaper is peeling at the seams, painted over, or stuck in three layers to plaster that crumbles when you scrape.
How we do itHallway walls take carts, luggage, chairs and constant hands.
How we do itOur phone is answered around the clock. Tell us about the rooms or the house and we will set a walk-through and a written estimate.