Bare wood on door edges
Worn spots at the latch edge and around knobs let hand oil and moisture into the wood, which darkens it and makes future paint harder to bond.
Baseboards scuffed gray, door edges worn to bare wood, and window casings with drips from five past owners: trim is where an older Quincy house shows wear first, and where sloppy painting shows most.

$178 to $369Typical per door with casing in Quincy. The walk-through sets your number.
Brands we work with: Benjamin Moore, Sherwin-Williams, California Paints, Farrow & Ball, PPG, Fine Paints of Europe, Cabot, Zinsser, York Wallcoverings, Thibaut, Schumacher, Phillip Jeffries, Graham & Brown, Roman.
Trim and door painting in Quincy involves cleaning, lead-safe sanding of old oil layers, filling dents and open joints, caulking gaps, bonding primer over glossy enamel, and two brushed coats of waterborne alkyd or acrylic enamel in satin or semi-gloss. Typical pricing runs about $178 to $369 per door with its casing, with baseboard priced by the foot. The walk-through sets the real number.
In a Wollaston Hill Colonial Revival or a Quincy Point two-family, the trim is often original old-growth pine, fir or chestnut, and it carries a century of paint. The bottom layers are usually oil enamel, many of them lead-based, and later owners added latex over the top. When latex sits on gloss oil without a bonding primer, it peels at every edge that gets touched, which is why so many door frames in older homes look chewed at hand height.
Trim and doors take more hours per square foot than walls because almost everything is brushwork. Our painters sand, fill, caulk and prime each profile, then lay off enamel with a quality brush so it levels without heavy brush marks. We paint baseboards, casings, crown, chair rail, wainscoting, window stools and sashes, and both faces and all edges of interior doors.

We start by washing trim with a mild cleaner, since baseboards collect floor wax and door frames collect hand oil. Then we test the existing coating: a rag with denatured alcohol softens latex but not oil. If the top layer is oil, or if the trim is glossy and smooth, it gets scuff sanded and coated with a bonding primer. Skipping this step is the most common reason trim paint fails.
Alligatored or cracked oil layers, which look like dried mud, can't simply be painted over because the cracks telegraph through. Those sections get sanded smooth with HEPA-connected sanders, or in bad spots chemically stripped. Dents and nail holes are filled with a sandable wood filler, and open miters and gaps along walls get a flexible paintable caulk so they don't crack again when the house shifts with the seasons.
For most trim we use a waterborne alkyd enamel. It flows out like traditional oil paint, dries hard enough to take a vacuum bumping the baseboard, and stays white instead of turning amber the way oil whites do over a few years. Where you want the toughest finish, such as a mudroom door that takes sandy boots from Wollaston Beach or kids' room baseboards, a urethane-modified acrylic adds scuff resistance.
Semi-gloss is the classic trim sheen and makes molding profiles crisp. Satin is softer and hides small dents better on old wavy trim. Doors deserve their own thought: the latch edge and the area around the knob take the most abuse, so we make sure edges are fully coated and the door is left open long enough that the finish doesn't stick to the stop.
Paneled doors follow a set order so no wet edge dries before it's blended: molded edges of the panels first, then the panels, then the center and cross rails, then the stiles, and finally the edges. We often take doors off their hinges and lay them across sawhorses, which lets the enamel level flat and avoids runs at the bottom of each panel.
Hinges and knobs are removed or masked, never painted over. Many older Quincy houses still have original mortise locks and glass or brass knobs, which we take off, set aside and reinstall. If a door has been sticking because of built-up paint on the edges, we can plane or sand it back so it closes freely after the new coats go on.
We count doors and measure trim, test for oil and lead-era layers, flag alligatored areas, and agree on sheen and color in a written estimate.
Floors are covered along every wall, hinges, knobs and strike plates come off, and containment goes up where old layers will be sanded.
Profiles are sanded with dust extraction, damaged areas stripped as needed, dents filled, and gaps caulked so the lines read clean.
Bonding primer covers glossy and bare areas, followed by the first enamel coat brushed and laid off in long, even strokes.
After drying, we denib with fine abrasive, vacuum, and apply the final enamel coat for a smooth, level finish without grit.
Doors go back on, hardware is reinstalled, latches are checked, and we walk the trim with you to mark any touch-ups.
The range covers one interior door painted both sides plus its casing, with routine sanding, filling and two enamel coats. Baseboard and crown are priced by the linear foot, and alligatored or stripped trim costs more. The walk-through sets the real number.
Compare every service side by side in our painting and wallpaper cost guide, or call (617) 576-8235 to set a walk-through.
Worn spots at the latch edge and around knobs let hand oil and moisture into the wood, which darkens it and makes future paint harder to bond.
Latex lifting from casings where people touch is a classic sign it went over oil without primer, and it will keep peeling until stripped back.
Alligatoring in old oil layers means the stack is too thick and brittle. Painting over it just shows the same pattern under fresh color.
Open seams between trim and plaster collect dust and show as dark lines. Fresh caulk and paint close them up neatly.
Thick old paint on edges and stops makes doors bind when bay humidity swells them, and the build-up needs to be cut back before repainting.
Oil whites amber over time, so trim looks dingy beside new walls. A waterborne alkyd keeps the white closer to how it looked on day one.
Colonial Revival and Foursquare houses on Wollaston Hill, along Adams Street and in Merrymount have some of the most generous interior trim in the city: wide casings with back bands, tall baseboards with cap molding, and paneled doors with original hardware. That trim usually has many layers of paint, and careful sanding brings back the crisp profile. Where fir or chestnut trim was never painted, we'll talk honestly about whether painting it is the right call.
Damp summers near Quincy Bay swell interior doors, and radiator heat dries them out in winter, so doors move a lot through the year. We seal all six sides of a door, including the top and bottom edges, which keeps moisture from entering unevenly and helps the door stay square. That small step cuts down on sticking in July and drafty gaps in January, in Squantum cottages and Milton Colonials alike.
Quincy neighborhoods and nearby towns we cover most often, with ZIP codes:
Yes. Stained trim is cleaned, scuff sanded and primed with a shellac-based or oil-based stain-blocking primer so wood tannins don't bleed through as yellow spots. Then two coats of enamel go on. On oak, the grain will still show slightly through paint unless filled first. We'll discuss whether painting old stained chestnut makes sense in a period room.
Semi-gloss is more durable and easier to wipe, and it makes moldings look crisp, but it highlights dents and waves in old trim. Satin is a little softer to clean but more forgiving on aging wood. Many Quincy owners choose semi-gloss for doors and kitchen trim, and satin on baseboards in older rooms.
Trim in pre-1978 houses is presumed to have lead paint in its lower layers. When we sand or scrape it, we contain the work area with plastic, mist before scraping, use HEPA-equipped sanders and vacuums, and wet wipe surfaces at day's end. Where trim is sound and needs only a light scuff, very little dust is created.
We usually paint ceilings, then walls, then trim. Trim enamel is cut in last over the wall color, which gives the sharpest line. If you're only doing trim, we cut carefully against existing walls and touch up any spots. For new walls and new trim together in a vacant unit, that order saves a full round of masking.
Often, yes. Sticking is frequently caused by thick paint on door edges and stops, made worse when bay humidity swells the wood. We sand or plane the edges back, then repaint with thin coats and seal the top and bottom edges. If the problem comes from sagging hinges or a shifted frame, we'll tighten hinge screws and point out if a carpenter is needed.
Walls that crack again a month after painting, flat paint that scuffs when you wipe it, and old oil layers that peel off in sheets: most Quincy.
How we do itMost Quincy houses were painted long before 1978, so scraping a porch, sanding a window sash or stripping wallpaper can turn old lead paint into dust.
How we do itA handrail worn gray where every hand grabs it, balusters chipped by vacuums, risers scuffed by shoes, and a newel post that was handsome once: the.
How we do itA Victorian on Wollaston Hill or a Federal-era house near Adams Street carries generations of paint, original wood you can't buy off the shelf, and a.
How we do itOur phone is answered around the clock. Tell us about the rooms or the house and we will set a walk-through and a written estimate.