Flakes falling onto furniture
Texture that sheds when bumped or vibrated is breaking down. It should be tested, then removed in a controlled way rather than left to crumble.
A cottage cheese ceiling that sheds flakes, catches cobwebs and shadows every light fixture: acoustic texture dates a room fast, and taking it down cleanly is mostly about testing, containment and a good skim coat afterward.

$2.48 to $5.15Typical per sq ft of ceiling in Quincy. The walk-through sets your number.
Brands we work with: Benjamin Moore, Sherwin-Williams, California Paints, Farrow & Ball, PPG, Fine Paints of Europe, Cabot, Zinsser, York Wallcoverings, Thibaut, Schumacher, Phillip Jeffries, Graham & Brown, Roman.
Popcorn ceiling removal in Quincy starts with a lab test of the texture for asbestos, then full room containment, misting the texture with water, scraping it off, repairing the board underneath, skim coating smooth, priming and painting flat. Typical removal runs about $2.48 to $5.15 per sq ft of ceiling. Painted-over texture costs more. The walk-through sets the real number.
Spray-on acoustic texture, called popcorn or cottage cheese ceiling, went onto a lot of South Shore ceilings from the 1950s through the 1980s. You'll see it in the postwar capes, ranches and split-levels of South and West Quincy near the Blue Hills, across Braintree, Canton and Stoughton, in finished attics and basements, and in 1970s and 1980s condo buildings where it was the cheapest way to finish a ceiling.
Taking it down sounds simple but has three parts: knowing what the texture contains, getting it off without wrecking the board or plaster underneath, and finishing a flat ceiling that looks right under modern lighting. Our painters handle all three, from containment through skim coat and flat paint, and we explain every step at the walk-through before any scraping begins.

Acoustic texture applied before the early 1980s may contain asbestos fibers, and you can't tell by looking. Before we price scraping, the texture needs to be sampled and tested by an independent lab. If the result comes back positive, the ceiling should be handled by an asbestos abatement contractor, not a painting company, and we'll tell you so directly. If it's negative, we can proceed.
Older textures may also have been painted at some point with lead-containing paint, especially in pre-1978 rentals. So even with a clean asbestos result, we treat the debris carefully: we mist it, keep it wet while scraping, catch it on plastic, bag it as we go and finish with HEPA vacuuming and a wet wipe of every surface in the room.
Popcorn removal is messy. We empty the room or cover what's left in plastic, run poly sheeting from ceiling to floor at every doorway, and lay plastic over the floor and up the walls by about a foot. Forced-air registers, baseboard heat covers and return grilles get sealed. Light fixtures and smoke detectors come down, and electrical boxes are capped and taped for safety.
Unpainted texture softens quickly when lightly misted with water, and then it scrapes off in sheets with a wide blade. Painted texture resists water, so it needs a removal solution, more dwell time or careful dry scraping with dust extraction. We go slowly at corners and around fixtures, where gouges are easiest to make. Wet debris drops onto the plastic, which is rolled up and bagged before cleanup.
The surface under popcorn is rarely ready for paint. Builders sprayed texture because it hid poor tape joints, screw heads and uneven board. Once the texture is gone, we refasten loose board, retape any failed seams with setting compound, and then skim coat the whole ceiling with thin coats of compound, sanded between passes, until it's flat under a raking light.
The skimmed ceiling gets a primer formulated for new joint compound, which keeps the finish from flashing, then two coats of flat ceiling paint. If you'd rather keep a little texture to hide minor flaws, we can apply a light hand-troweled or knockdown finish instead of a fully smooth one. Either way, the room ends up with a clean ceiling that reflects light evenly.
We look at the ceilings, check whether the texture has been painted, and arrange for a lab test of the texture before giving a written estimate.
Furniture comes out or is wrapped, plastic goes over floors and walls, doorways and vents are sealed, and fixtures come down.
The texture is misted in sections, allowed to soften, and scraped off cleanly, with debris kept wet and bagged on site.
Loose board is refastened, seams and cracks are retaped, and any gouges from scraping are filled with setting compound.
Thin skim coats go over the full ceiling and are sanded with HEPA extraction until the surface reads flat in raking light.
A primer for new compound and two flat coats finish the ceiling, then fixtures and smoke detectors go back up and the room is cleaned.
This typical range covers testing coordination, containment, scraping unpainted texture, skim coating, primer and two flat coats. Painted-over texture, high or vaulted ceilings and heavy repair underneath add to it. The walk-through sets the real number.
Compare every service side by side in our painting and wallpaper cost guide, or call (617) 576-8235 to set a walk-through.
Texture that sheds when bumped or vibrated is breaking down. It should be tested, then removed in a controlled way rather than left to crumble.
Water stains and smoke on popcorn are hard to cover without clumping the texture, so removal and a smooth ceiling is often the cleaner fix.
Popcorn ceilings make a South Quincy ranch or Braintree split look dated in listing photos, while smooth ceilings photograph brighter and feel more current.
Downlights cast hard shadows across texture and show every bump. A smooth ceiling makes new lighting look intentional.
Acoustic texture traps dust and webs and can't really be cleaned, which is a common reason allergy-prone households want it gone.
When cracks show through popcorn, the board or plaster above is moving and needs repair that texture was only hiding.
Most popcorn ceilings we see are in mid-century houses: the capes, ranches and split-levels built after World War II in South and West Quincy around Furnace Brook Parkway and the old quarry neighborhoods, and the same housing stock in Braintree, Canton, Stoughton and Walpole. Those drywall ceilings were sprayed for a quick finish. They usually come down cleanly when the texture was never painted, but the board underneath often needs a full skim, since builders relied on texture to hide rough taping.
We also find popcorn sprayed over old plaster ceilings in Wollaston and North Quincy two-family apartments, where a past owner covered cracked plaster instead of fixing it. Once it's off, the job shifts to reattaching plaster and taping cracks before skimming. Summer humidity near the bay slows compound drying on large ceilings, so we plan the skim coats with fans and dehumidifiers when the air is heavy.
Quincy neighborhoods and nearby towns we cover most often, with ZIP codes:
We require it before scraping texture applied before the early 1980s, because asbestos can't be identified by eye. A small sample goes to an independent lab. If the texture tests negative, our painters proceed. If it tests positive, it should be removed by an asbestos abatement contractor, and we can come back to skim and paint afterward.
Very messy, which is why the containment matters as much as the scraping. Wet texture falls in clumps, so we cover floors and walls in plastic, seal doors and vents, and bag the debris as we go. When we're done, the plastic is rolled inward and removed, then the room is HEPA vacuumed and wiped down. The rest of the house stays usable.
Yes, but painted texture doesn't soften easily with water, so it takes longer. We may use a removal solution, give it more soaking time, or carefully dry scrape with dust extraction. The extra labor is why painted popcorn ceiling removal costs more. The walk-through includes a small test patch to see how it behaves.
A typical bedroom takes about three to four days: one for setup and scraping, one or two for repairs and skim coats with drying time, and one for primer and paint. Larger living areas and painted texture take longer. The room can't be used during the work, but the rest of the house stays open.
Smooth is the most common choice and what most people want, but it requires a full skim coat to look right. If you'd prefer, we can apply a subtle hand-troweled or light knockdown texture after removal, which hides minor flaws and costs a little less than a perfect smooth finish. Condo boards sometimes have rules on work hours, which we plan around.
A brown ring from the bathroom upstairs, a web of cracks spreading from the light fixture, or a ceiling that looks dingy next to fresh walls:.
How we do itOld plaster walls that are cracked, patched, wavy or scarred from wallpaper removal will show every flaw through fresh paint or new paper, and spot.
How we do itA doorknob hole in the hallway, a soaked ceiling after a pipe let go in a cold snap, or tape seams that ridge and crack every winter: drywall damage.
How we do itA bulge that moves when you press it, a chunk that fell behind the radiator, or a crack running from the window corner to the ceiling after a.
How we do itOur phone is answered around the clock. Tell us about the rooms or the house and we will set a walk-through and a written estimate.